Mr. Chen Bin holds a bachelor's degree in international finance from University of International Business and Economics and a master's degree in Business Administration from Peking University, Guanghua School of Management. Has more than 20 years of banking experience in the state-owned policy bank of China Import and export bank, the world renowned foreign bank Standard Chartered Bank, the Holland Cooperation Bank and the Royal Bank of Scotland, he served as the bank's credit business and management of senior management and director, chief inspector and other duties, the incumbent president of the International Bank of Chongqing branch. As a banker who works in the financial field for a long time, Mr. Chen Bin, with his unique vision, feels the charm of art, and interprets the process of the growth of a painter from the bottom of his heart. The art and finance lie in the soul "thought". This "one" is the truth, goodness and beauty of the pursuit of philosophy. Perhaps, really exist in various fields of universal values is the "one thought".
Text / Chen Bin
Philosophy is the ultimate human subjects, between the two schools of materialism and idealism argue there will not be the outcome; but I think art is the most close to the disciplines of philosophy, because it can best embody the tangle of the idealism and materialism.
Painting is an art. Any good painting reflects the author's certain period of the heart, but also through a specific thing to show; the viewer through these things, with their own inner feelings to map the author's heart. Yin Linchun’s spring, in my opinion this is the work of art. They reflect the artist's thoughts in different periods and occupy the most important time of life. A clear description of the artist's inner spiritual world.
From 2000 to 2006, the beauty of painting flowers and great landscape series, shows a young painter full of SAP begin to display talents, talent. Painting theme prominence, human, flower, Jiangshan text and creative integration, painted with flowers, paintings with characters; Simple strokes and strong, full of tension; bold color significantly younger, and the full expression of beauty and mountains and rivers, pointing mountains and rivers pride, innocent and artless.
2000 one of the series "beauty flower"
2004 "flower" series three
2004 "go to see the peach blossom"
2006 "great landscape" series
The "print" and "my high" in 2007 and 2009 entered another stage. At this time a painter exposed the passion and desire to depict Buddhist themes, desires and pure expression. The painter used head and X-ray techniques, through the large size portrait paintings and superposition, further increase the visual power, but the entire work line was soft, with obvious warm color.
2007 "impress” series three
2009 "my high altitude"
The work of “my high altitude”. The whole works from the surface, the expression is a crowded city, raising the building, living space of human oppression. Then carefully read, the author is to express is in a noisy environment, how to build their own spiritual heights and the spiritual world of the seven story pagoda. This work makes full use of the perspective of the technique, both inward convergence, but also down to the extension of the whole picture is full of the power of time and space.
2010 two of“big house——the Hakkas”
When it comes to spiritual home, in the subsequent "Hakka" series, the author further expressed this idea. The subject of the picture is a selection of some old houses, seemingly unremarkable, but it contains the subtle homesickness and the strong desire of finding spiritual sustenance. Soft and delicate brushwork paintings, recover the original simplicity, color bleak, quite charm of ink painting. If we say that "my high altitude" shows the perspective of Western oil painting skills, then in this period of the Hakka series reflects the integration of Chinese ink painting and oil painting. Through the Western ideas and art and transformation; paint the oil painting, see the ink painting, the author gradually become more profound and lofty, open creation stage.
The author in his three different periods of creation, showing from teenage to self-cultivation to mind track of spiritual accumulation, so as to let the audience see clearly the main thought of him in different ages, the common feeling of walking and growth of life and the art. A body of work must be painted the eternal theme of human beings. Truth, goodness, beauty, and human desires are the eternal themes. Form is emptiness., emptiness is form. The final destination of life spirit may not deliberately building seven story pagoda, but at the beginning of the birth of the landscape!
Yi Linchun, vice professor of Sanming University of Fujian:
Mainly engaged in contemporary oil painting, image creation, cultural product, originality and design, creativity and design of cultural landscape and sculpture, creativity and planning of cultural industry and cultural activities.
He was born in Songxi Fujian, he is a Hakka.
1990——1994 Bachelor of Academy of Fine Arts of Fujian Normal University
1999——2000 Tianjin Academy of Fine Arts Oil Painting Advanced Training Class
2007——2010 Master of industrial design engineering, Jingdezhen Ceramic Institute
2012——2013 Visiting scholar of Peking University academy of arts (Research direction: art theory, aesthetics, cultural industries)
Jun. 2012, Cross Strait Artists Joint Exhibition, Shishi Fujian
Nov.2011, China-Thailand Artists Joint Exhibition, Shishi Fujian
Nov.2009, Fujian University Teacher’s Works Exhibition, Fuzhou Fujian, excellent work award
Mar. 2008, Fable Shanghai, Shanghai Jinmao Tower
May 2007, Contemporary Context——Chinese version 2007 Art Exhibition, Beijing Today Art Museum
Jun. 2007, China Art Climate Show, Shanghai
Oct.2006, Sino-Russian Art Exhibition, Shanghai
Dec.2006, Songzhuang·Oil Painting Exhibition, Songzhuang Beijing
Apr.2005, the third time Chinese Version——Beijing Invitational Exhibition, Beijing
Dec.2004, Louvre Museum Art Salon in 2004, Louvre Museum Frence
Feb.2004, the second time Chinese Version——Ning, Hu, Hang Invitational Exhibition, Shanghai
Sep. 2003, Shanghai Painters’ Village Biennial Exhibition, Shanghai Zhengda Plaza, outstanding award
Jun.2000, Today’s Life Art Exhibition, Tianjin